Thursday, September 5, 2013

ART HIST 2A03 / CMST 2I03 (Visual Literacy): Course Outline Fall 2013

Please find below the course outline for ART HIST 2A03 / CMST 2I03 (Visual Literacy), Fall 2013. DO NOT REFER TO THE OUTLINE CURRENTLY POSTED ON THE SOTA WEBPAGE. 


School of the Arts
McMaster University

VISUAL LITERACY
ART HIST 2A03 / CMST 2I03, Term I, 2013

Lectures: Wednesday 9:30-10:20; Thursday 2:30 - 4:20 (KTH B132)
Course Instructor: Greg Davies             Email: gdavies@mcmaster.ca   

Office: TSH 429                                               Blog: http://acabinetofcuriosities1.blogspot.com
Office hours: Monday, 11:30 am -12:30 pm., or by appointment

COURSE DESCRIPTION:  What is ‘visual literacy’ and what does it mean to be visually literate in today’s society? These questions will be addressed through a series of lectures and open discussions aimed at increasing student awareness of the impact of visual images upon our understanding of ‘self’ and the world around us.

The visual material and issues treated in class discussions will be broad-ranging. Course participants should be aware that discussion topics and visual material may reach well beyond those conventionally treated in art history and communications lectures. A survey of the lecture titles below will indicate the general spectrum of topics to be addressed. Individual lectures will often focus on ‘case studies’ (eg., Byzantine icons, ‘Dolly’ the Sheep, etc.), with the intention of drawing group discussions on larger, relevant issues addressed in the readings and previous class discussions. Students should thus be prepared to look, read, think critically and speak up!

Please note that there are two course texts to be purchased (listed below). As the course progresses students will also be asked to consult relevant web sources. These will also constitute a course requirement.

COURSE TEXTS: The required course texts (available at the bookstore) are:

W. J. T. Mitchell, What do Pictures Want? The Lives and Loves of Images, (Chicago, 2004).

James Elkins, ed., Visual Literacy, (London, 2007).

COURSE EVALUATION:  The final grade for this course will derive from three pieces of work. There will be one test, one assignment and a final examination. The marking scheme for each is listed below.

Test: 25%                     (OCTOBER 2, IN CLASS; 30 minutes)
Assignment: 35%          (DUE NOVEMBER 6, IN CLASS)
Final exam: 40%           (DATE TBA)

The requirements for each will be discussed in class. Please be aware that a guideline for the assignment, including information on late penalties and the correct procedures for submission, will be distributed in class on September 12, 2013.

MODIFICATIONS TO THE COURSE OUTLINE:
The instructor and university reserve the right to modify elements of the course during the term. The university may change the dates and deadlines for any or all courses in extreme circumstances. If either type of modification becomes necessary, reasonable notice and communication with the students will be given with explanation and the opportunity to comment on changes. It is the responsibility of the student to check their McMaster email and course websites weekly during the term and to note any changes.

EMAIL COMMUNICATION: 
It is the policy of the Faculty of Humanities that all email communication sent from students to instructors (including TAs), and from students to staff, must originate from the student's own McMaster University email account. This policy protects confidentiality and confirms the identity of the student. Instructors will delete emails that do not originate from a McMaster email account.

EXTENSIONS OR ACCOMMODATONS:
Extensions or other accommodations will be determined by the instructor and will only be considered if supported by appropriate documentation.  Absences of less than 5 days may be reported using the McMaster Student Absence Form (MSAF) atwww.mcmaster.ca/msaf/  . If you are unable to use the MSAF, you should document the absence with your faculty office.  In all cases, it is YOUR responsibility to follow up with the instructor immediately to see if an extension or other accommodation will be granted, and what form it will take. There are NO automatic extensions or accommodations.

ON ACADEMIC INTEGRITY:
You are expected to exhibit honesty and use ethical behaviour in all aspects of the learning process.  Academic credentials you earn are rooted in principles of honesty and academic integrity.
Academic dishonesty is to knowingly act or fail to act in a way that results or could result in unearned academic credit or advantage.  This behaviour can result in serious consequences, e.g. the grade of zero on an assignment, loss of credit with a notation on the transcript (notation reads: “Grade of F assigned for academic dishonesty”), and/or suspension or expulsion from the university.

It is your responsibility to understand what constitutes academic dishonesty.  For information on the various types of academic dishonesty please refer to the Academic Integrity Policy, located at http://www.mcmaster.ca/academicintegrity
The following illustrates only three forms of academic dishonesty:
1.Plagiarism, e.g. the submission of work that is not one’s own or for which other credit has been obtained.
2.Improper collaboration in group work.
3.Copying or using unauthorized aids in tests and examinations.

AVENUE TO LEARN:
In this course we will be using Avenue to Learn Students should be aware that, when they access the electronic components of this course, private information such as first and last names, user names for the McMaster e-mail accounts, and program affiliation may become apparent to all other students in the same course.  The available information is dependent on the technology used.  Continuation in this course will be deemed consent to this disclosure.  If you have any questions or concerns about such disclosure please discuss this with the course instructor.

SUPPORT SERVICES:
The University provides a variety of support services to help students manage their many demands. Reference librarians can provide invaluable research assistance. The Student Accessibility Services Centre (SAS) provides assistance with personal as well as academic matters. MUSC B107 and http://sas.mcmaster.ca/

GRADING SCALE:  The McMaster grading scale may be consulted at: http://registrar.mcmaster.ca/calendar/2012-13/pg145.html


LECTURE SCHEDULE & READINGS:

All readings are taken from the course texts:
W. J. T. Mitchell, What do Pictures Want? The Lives and Loves of Images. [MITCH.]
James Elkins, ed., Visual Literacy, [ELK.]

Preface: Why ‘Visual Literacy’?

Sept. 5             Introductory class discussion
No readings assigned


Sept. 11, 12    
James Elkins, “Introduction: The Concept of Visual Literacy and Its Limitations” [ELK.], pp. 1-10.
W.J.T. Mitchell, “Visual Literacy or Literary Visualcy?” [ELK.], pp. 11-13.


A Picture Says a Thousand Words

Sept. 18          
Peter Dallow, “The Visual Complex: Mapping Some Interdisciplinary Dimensions of Visual Literacy,” [ELK.], pp. 91-104.
                       
Sept. 19
Jon Simons, “From Visual Literacy to Image Competence,” [ELK.], pp. 77-90.


Living Images

Sept. 25, 26
W.J.T. Mitchell, “Ch. 6. Offending Images,” [MITCH.]



Oct. 2             TEST (In Class: 30 minutes)


Iconoclasm

Oct. 3, 9, 10               
W.J.T. Mitchell, “Preface,” pp. xii-xvii; “Images,” pp. 1-3.; “Vital Signs: Cloning Terror,” pp. 5-27. [MITCH.]

Narrative and Image


Oct. 16, 17
W.J.T. Mitchell, “Ch. 13. The Ends of American Photography: Robert Frank as National Medium,” [MITCH.]

Oct. 23, 24, 30           

W.J.T. Mitchell, “Ch. 14. “Living Color: Race, Stereotype, and Animation in Spike Lee’s Bamboozled,” [MITCH.]

Visualizing Desire

Nov. 6, 7, 13               (ASSIGNMENT DUE IN CLASS, NOVEMBER 6)
W.J.T. Mitchell, “Ch. 2. What Do Pictures Want?,” [MITCH.]
W.J.T. Mitchell, “Ch. 3. Drawing Desire,” [MITCH.]

Nov. 14, 20
W.J.T. Mitchell, “Ch. 8. Romanticism and the Life of Things,” [MITCH.]
W.J.T. Mitchell, “Ch. 9. Totemism, Fetishism, Idolatry,” [MITCH.]


Imagine: Picturing the Unseen

Nov. 21, 27, 28
W.J.T. Mitchell, “Ch. 7. Empire and Objecthood,” [MITCH.]
W.J.T. Mitchell, “Ch. 15. The Work of Art in the Age of Biocybernetic Reproduction,” [MITCH.]

           
Dec. 4             Review










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